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2019 picture show past André Øvredal

Scary Stories to Tell in the Dark
Scary Stories to Tell in the Dark film logo.jpg

Theatrical release affiche
Directed by André Øvredal
Screenplay past
  • Dan Hageman
  • Kevin Hageman
Story by
  • Guillermo del Toro
  • Patrick Melton
  • Marcus Dunstan
Based on Scary Stories to Tell in the Dark
by Alvin Schwartz
Produced past
  • Guillermo del Toro
  • Sean Daniel
  • Jason F. Brown
  • J. Miles Dale
  • Elizabeth Grave
Starring
  • Zoe Colletti
  • Michael Garza
  • Gabriel Blitz
  • Austin Zajur
  • Natalie Ganzhorn
  • Austin Abrams
  • Dean Norris
  • Gil Bellows
  • Lorraine Toussaint
Cinematography Roman Osin
Edited by Patrick Larsgaard
Music past
  • Marco Beltrami
  • Anna Drubich

Production
companies
  • CBS Films
  • Entertainment 1
  • 1212 Amusement
  • Double Dare Y'all Productions
  • Sean Daniel Company
Distributed by
  • Lionsgate (United States)
  • Entertainment One (Canada, United Kingdom, Australia, New Zealand, Deutschland, Austria, Benelux and Spain)[1]

Release date
  • August 9, 2019 (2019-08-09) (U.s.a.)

Running fourth dimension

 108 minutes[2]
Countries
  • United states
  • Canada
Linguistic communication English language
Upkeep $25–28 meg[3] [iv]
Box office $106 million[iii]

Scary Stories to Tell in the Dark is a 2019 horror film directed by André Øvredal, based on the children'southward book series of the same proper noun by Alvin Schwartz. The screenplay was adjusted by Dan and Kevin Hageman, from a screen story by producer Guillermo del Toro, besides as Patrick Melton and Marcus Dunstan. The motion picture, an international co-production of the United States and Canada, stars Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur, Natalie Ganzhorn, Austin Abrams, Dean Norris, Gil Bellows, and Lorraine Toussaint.[five] [6]

In 2013, CBS Films caused the rights to the book series from 1212 Amusement[seven] with the intent of producing it as a feature moving-picture show. Past January 2016 it was announced that del Toro would develop and potentially straight the project for CBS Films. Øvredal was later set to direct the picture, with del Toro, Daniel, Brown, and Grave beingness among the producers. Primary photography commenced on Baronial 27, 2018, and concluded on November 1, 2018, in St. Thomas, Ontario, Canada.

Scary Stories to Tell in the Dark was theatrically released on August 7, 2019 in the Usa past Lionsgate. The pic was well-received by critics with praise for its depictions of the horror features from its source cloth simply in that location was some criticism for its plot, writing and acting. The film went on to gross a worldwide total of $106 million against a budget of around $28 million.

Plot [edit]

On Halloween, 1968, in the small-scale town of Mill Valley, Pennsylvania, 3 teen friends, Stella, Auggie, and Chuck, prank the dandy Tommy Milner. When Tommy and his gang chase them in retaliation, the trio flees to a bulldoze-in movie theater, where a young drifter named Ramón Morales hides them in his car. They invite Ramón to explore a local "haunted house" that once belonged to the wealthy Bellows family unit, who helped found Mill Valley. Inside, they find a book of horror stories written by Sarah Bellows, the Bellows' young daughter who was accused of witchcraft when the town'due south children mysteriously began to die and allegedly committed suicide. Having followed the group, Tommy locks them inside along with Ruth, Chuck's sis. They escape, and Stella takes Sarah'southward book.

Back home, Stella flips through the book, discovering that a new story, entitled "Harold," has appeared on a folio that was blank moments before. Meanwhile, in a nearby cornfield, an inebriated Tommy is stalked past the titular Harold, his family unit's scarecrow, after information technology comes to life. The animate being stabs him with a pitchfork, causing Tommy to vomit hay and undergo a vehement transformation. Tommy is later reported missing; Stella and Ramón detect Harold dressed in Tommy'southward clothes. Stella is convinced that Tommy has been turned into a scarecrow.

That night, a new story, "The Big Toe", appears with Auggie equally the main grapheme. The pair attempt to warn him about the monster: a corpse searching for its missing toe, which is within a stew that Auggie unwittingly eats. Auggie disappears after the corpse drags him under his bed. Realizing they are next, the remaining friends attempt to destroy the book; when this proves impossible, they enquiry Sarah's life in hopes of finding a solution. A new story, "The Ruddy Spot", is written. When Ruth discovers a swollen spider bite on her cheek, information technology explodes and releases hundreds of tiny spiders.

Ruth is rescued simply is traumatized. The group'due south investigation takes them to a local infirmary, where they discover that Sarah'south blood brother performed electroshock therapy on her every bit part of a camouflage operation. The family unit'due south mill had been poisoning the boondocks'due south h2o with mercury, leading to the deaths of the town's children and Sarah was tortured by her family for trying to reveal the truth. To avoid suspicion, they blamed her for the human action. At the hospital, Chuck is attacked by the Pale Lady, a phantom from his recurring nightmares, who absorbs him.

Stella and Ramón are arrested for trespassing by Police Main Turner, who reveals that Ramón is a Vietnam War draft dodger. Ramón reveals to Stella that information technology was out of fear after his brother enlisted and his dead trunk was returned to them in pieces. Turner'south dog begins to act strangely, and Ramón realizes that the next creature will be the Jangly Homo, a monster from a campfire story that frightened him equally a child. The Jangly Man kills Turner by breaking his neck before attempting to kill Ramón. Ramón and Stella escape, and he lures the creature abroad with Turner'south motorcar while Stella goes to the Bellows house to put an end to Sarah's actions. The Jangly Man chases Ramon and ends upwardly getting smashed confronting the grill of another automobile.

Ramón gets out and runs to the Bellows house where he hides from the Jangly Man under the floor. Meanwhile, Stella is taken back in time and hides under a tabular array with the help of a immature girl, Lou Lou Baptiste, but is somewhen found. Living out part of Sarah'due south experience of the torture her family put her through, Stella confronts Sarah'due south ghost and promises her that she will tell the real story of Sarah's life and the truth of her innocence if she stops harming people with her stories. Stella writes downwards the true story in blood before she, the Jangly Man, and all of the previous monsters vanish.

She writes the truth about Sarah'south life in the papers to the town, keeping her promise, and Sarah moves on to the afterlife peacefully. Ramón accepts his enlistment and shares an emotional goodbye with Stella earlier he leaves for the war. Stella drives away with her father and a recovered Ruth, and states that she will discover a mode to rescue Chuck and Auggie.

Bandage [edit]

The Kids [edit]

  • Zoe Colletti as Stella Nicholls
  • Michael Garza as Ramón Rodriguez
  • Gabriel Rush as August "Auggie" Hilderbrandt
  • Austin Zajur as Charlie "Chuck" Steinberg
  • Natalie Ganzhorn as Ruth "Ruthie" Steinberg
  • Austin Abrams as Tommy Milner

Manufactory Valley Townspeople [edit]

  • Dean Norris equally Roy Nicholls
  • Gil Bellows as Police Chief Turner
  • Lorraine Toussaint as Louise "Lou Lou" Baptiste
    • Ajanae Stephenson as Immature Louise Baptiste
  • Marie Ward equally Mrs. Hilderbrandt
  • Deborah Pollitt equally Mrs. Steinberg
  • Matt Smith as Mr. Steinberg
  • Karen Glave as Claire Baptiste
  • Kyle Labine as Deputy Hobbs
  • Victoria Fodor equally Mrs. Milner

The Bellows Family [edit]

  • Sarah Bellows was once a little girl in the Bellows family and was forced to falsely accuse herself of killing children and was hanged.

Production [edit]

In 2013, CBS Films acquired the rights to the Alvin Schwartz'southward children's book series Scary Stories to Tell in the Dark from 1212 Amusement,[seven] with the intent of producing it every bit a potential feature flick.[8] It was announced in 2014 that writer John August had been set to pen a film version.[9]

On January fourteen, 2016, it was announced that Guillermo del Toro would develop the flick, too as mayhap direct, and that he would besides produce along with Sean Daniel, Jason Brown, and Elizabeth Grave, with Roberto Grande and Joshua Long executive producing.[7] [10] In February 2016, CBS Films hired screenwriting brothers duo Dan and Kevin Hageman to shine the draft written by August.[11] In December 2017, information technology was reported that André Øvredal would direct the film.[12] The Hagemans received terminal screenplay credit, with del Toro, Patrick Melton, and Marcus Dunstan receiving "story past" credit. CBS Films co-financed with Entertainment Ane.[1]

In Baronial 2018, Zoe Colletti, Michael Garza, Austin Abrams, Gabriel Rush, Austin Zajur, and Natalie Ganzhorn joined the cast.[xiii] [fourteen] [xv] In September 2018, Dean Norris, Gil Bellows, Lorraine Toussaint, and Javier Botet were added as well.[16] [17] Principal photography commenced on August 27, 2018, and concluded on November ane, 2018, in Hamilton, Ontario.[xviii] [19]

In July 2019, at the San Diego Comic-Con, del Toro explained why Scary Stories to Tell in the Dark was not produced equally an anthology film:

"When we started talking about this near v years ago, I had to call up about it ... Album films are e'er as bad equally the worst story in them — they're never every bit good equally the all-time story...[xx] I remembered in Pan's Labyrinth, I created a book called 'the Book of Crossroads'. I thought it could be cracking if we had a book that reads you, and it writes what you're most afraid of. And so the theme became stories nosotros tell each other."[20] [21]

Music [edit]

The moving picture features an original score by composers Marco Beltrami and Anna Drubich.[22] In addition to the original music, flow songs from the 60s are heard in the film, such every bit "Season of the Witch" by Donovan, which plays during the film'due south opening.[23]

A embrace of "Season of the Witch" past musician Lana Del Rey is heard in the closing credits to the picture show and was featured in a trailer for the film. While talking about his choice to have Del Rey sing the cover for the film, del Toro stated, "I have admired Lana's music for a while now and felt in my gut that she would run with 'Flavour of the Witch' – that she would use her alchemy to transform it. She is a great artist and has been an amazing partner with us in this adventure. Information technology is an honor for me to have met her."[24] Del Rey'southward version of the song was released for digital download and streaming on Baronial 9, the aforementioned 24-hour interval every bit the film's premiere. Mirko Parlevliet of Vital Thrills praised the pairing of Del Rey'southward sound and the film'due south vintage aesthetic.[25] Savannah Sicurella of Paste stated, "Del Rey managed to capture the prickly, macabre feeling of the popular Alvin Schwartz stories on which the moving picture was based."[26]

Marketing [edit]

The first footage of the flick premiered during Super Bowl LIII.[27] The commencement trailer was released on March 28, 2019, and the 2d on June 3, 2019. On August 5, 2019, a third trailer was released, featuring a cover version of the Donovan song "Season of the Witch", by Lana Del Rey, performed for the motion picture's soundtrack.[28] All-in-all, the studio spent over $twenty one thousand thousand promoting the flick.[4]

Release [edit]

Theatrical [edit]

The film was theatrically released in the United States on August 9, 2019, by CBS Films via Lionsgate.[29] [30]

Habitation media [edit]

Scary Stories to Tell in the Dark was released in the US on digital download past Lionsgate Habitation Amusement on October 22, 2019 and too on Ultra HD Blu-ray, Blu-ray, and DVD on November v.[31]

Reception [edit]

Box office [edit]

Scary Stories to Tell in the Dark grossed $68.ix 1000000 in the Usa and Canada, and $35.6 million in other territories, for a worldwide full of $104.5 million.[3]

In the Usa and Canada, Scary Stories to Tell in the Dark was released alongside The Kitchen, Dora and the Lost Urban center of Gold, The Fine art of Racing in the Pelting, and Brian Banks, and was projected to gross $fifteen–17 million from 3,000 theaters in its opening weekend.[32] [33] The movie made $eight.viii million on its beginning twenty-four hours, including $2.33 million from Thursday nighttime previews. It went on to debut to $20.8 million, finishing 2d, behind holdover Hobbs & Shaw.[4] It dropped 52% in its second weekend to $10.1 million, finishing fifth.[34]

Critical response [edit]

On the review aggregator website Rotten Tomatoes, the film holds an blessing rating of 77% based on 233 reviews, with an average rating of half-dozen.4/10. The site's critical consensus reads, "Like the bestselling series of books that inspired it, Scary Stories to Tell in the Dark opens a creepy gateway into horror for younger genre enthusiasts."[35] Metacritic gave the moving picture a weighted average score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews."[36] Audiences polled past CinemaScore gave the picture an average grade of "C" on an A+ to F scale, while those at PostTrak gave information technology an average three out of 5 stars and a 53% "definite recommend."[4]

Owen Gleiberman of Variety wrote that "the movie faithfully re-creates the peak moments of half a dozen of Schwartz' almost popular stories," merely "doesn't totally embrace the Gammell vision," referring to the infamy of the illustrations in the original volume series.[37] Ben Kenigsberg of The New York Times chosen the film "an agreeable scrap of fan service."[38]

Keith Uhlich of The Hollywood Reporter conversely termed information technology a "lackluster adaptation," adding that the monsters depicted in the motion-picture show are "scary," though "they'd be much more than and then if they felt less like franchisable IP and more like fervent expressions of the ills of the eras on which the film aims to annotate."[39] William Bibbiani of Bloody Disgusting wrote that the film "often works very well for several, breathless minutes at a fourth dimension. But in betwixt those splendid scares there'south a lot of filler, a lot of perfunctory plotting and a lot of mediocre graphic symbol development."[40] Alan Jacques of Limerick Post gave the film two points out of five and stated "This movie is definitely not meant for a pre-teen audition. There are one or two genuinely creepy moments that would exit your precious nippers sleeping with the lights on until they finish college.... For a immature audience coming to horror for the outset time, this isn't a bad place to start, but for anyone with a existent appreciation of the genre this might experience rather dull and unoriginal."[41] In his review for The Verge, Noah Berlatsky stated "...Scary Stories is remarkably insightful and sober in its cess of the way stories control people, rather than the other style around. Quentin Tarantino's Once Upon a Time in Hollywood was supposed to be the summer'south virtuoso meta-fiction, but its rewritten happy ending, musing on the impotence of writing, seems a lot less bleak than Scary Stories' acknowledgment that some scripts volition take you lot far away where y'all'll never be seen once again."[42]

Tomris Laffly of RogerEbert.com gave the film 3 stars out of four, stating "Still, Scary Stories is a strangely uplifting throwback to old-fashioned clans of investigative teens. While information technology doesn't break any new ground, there is plenty of vintage fun to exist had with kids who feel their style through life's impending fears and live to tell the tale."[43] Writing for The Guardian, Simran Hans gave the film three stars out of v, noting "Producer and co-writer Guillermo del Toro brings Alvin Schwartz's much-loved children'southward book serial to the big screen, but this uneven film can't decide who it's trying to scare."[44] The New Yorker 's Richard Brody mentioned "There's authentic charm to the fine-grained didacticism of the plot of "Scary Stories," which embodies the very virtues that information technology promotes. In the process of displaying the redemptive power of factual noesis, notwithstanding, the movie flattens and tames the power of imagination."[45] David Ehrlich of IndieWire added "André Øvredal'due south film accommodation, as clever and well-crafted every bit it is, tin can't help but capsize the formula that the source textile relied upon for its success. Hither is an R-rated concept that'south been watered down until it passed for a PG-thirteen flick; it's enough harrowing and full of gruesome effects, only information technology never feels dangerous."[46] The Atlantic 's Julie Brook noted "The best scary stories exercise that—they become under your skin and emerge again and again. (The worms clamber in, the worms crawl out.) Scary Stories the movie just bounces right off."[47]

David Fear of Rolling Rock gave the movie iii stars out of five, commenting "It'southward all a lot of chain-rattling, black-cat-screeching fun, though not such a blast that yous don't observe how generic and ramshackle the whole endeavor feels... The compassion is that Scary Stories to Tell in the Dark volition more often than not be seen by jaded genre completists and cornball fortysomethings. Wrong demographic. You owe information technology to your kids to take them to this. It's training-wheels horror done right."[48] Aja Romano of Vox gave the film 3 and half points out of five and wrote "...the film leans all the style into the risk to tell a story beset with cultural anxieties of the by that strongly mirror those of the present. It'southward far more like a archetype piece of immature adult fiction than the juvenile fiction it's adapting; its focus isn't on kids, but on teens who are coming of age in a turbulent, complicated, and often maliciously unjust earth. Their supernatural monsters, in contrast, are culled from juvenile fears and fantasies. The resulting folkloric aesthetic makes Scary Stories' brand of fantasy all the more effective every bit fun visual horror. Merely on a thematic level, it creates a discordance with the film's more than adult social horrors, and the ii elements never quite unify."[49] A.A. Dowd of The A.V. Guild gave the motion-picture show B course and wrote "Similar scouts huddled around a campfire, each trying to ship a bigger arctic downward the others' spines, Scary Stories To Tell In The Dark keeps coming up with new gruesome attractions, piling ane on top of the next. Notwithstanding as gross and spooky and, yes, occasionally frightening every bit these terror tactics get, they never quite cross over into the deep end of truly grown-up horror."[fifty] The Times of India'southward Neil Soans gave the film three stars out of five, noting "The screenplay ends upward as a jumble of unexplored ideas onscreen rather than a cohesive narrative. However, if you lot only relish horror films for creepy monsters, y'all'll manage to go a kick or two."[51]

Accolades [edit]

Sequel [edit]

On April 23, 2020, it was announced that a sequel to the movie is officially in evolution, with Øvredal returning to direct and Paramount Pictures (who captivated CBS Films as part of the Viacom/CBS re-merger) distributing.[53] [54] [55] Zoe Colletti, Michael Garza, Natalie Ganzhorn, and Dean Norris are set to reprise their roles with Dan and Kevin Hageman returning as writers and Guillermo del Toro returning as producer.

References [edit]

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External links [edit]

  • Scary Stories to Tell in the Dark at IMDb
  • Scary Stories to Tell in the Dark at Rotten Tomatoes
  • Official website

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